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  • In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.
  • Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.
  • Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.
  • Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.
  • More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.
  • Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.
  • The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness
  • Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.
  • The Canadian singer grew up watching old movies and musicals in London, Ontario. She took those influences and turned them into an album that sounds both old-fashioned and timeless. Its title is The Cricket's Orchestra.
  • Yes, even within the hallowed halls of classical music, one can find all manner of hoodwinking, horseplay and even a raunchy song or two. Hear Renee Montagne and Miles Hoffman spin some of the more lewd and laughable musical jokes.
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