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The New York Times' new Web redesign includes "native advertising": articles written by people working for the paper's advertisers. BuzzFeed and other outlets have already embraced the ads, but critics say the lines between paid and original content are sometimes just too blurry.

Oliver Stone's World Trade Center is based on the Ground Zero ordeal of two New York Port Authority police officers and their rescuers, including one from the NYPD. Two of the cops depicted in the film discuss their ordeal: one who was trapped, a second who came to the rescue.

Two major shoe companies have much at stake as World Cup soccer play begins. Nike, which made deals with Brazilian stars, is trying to put a dent in Adidas' long-standing dominance of the soccer market.

Over the past three years, Abu Musab al-Zarqawi had emerged as the most feared figure in Iraq. The man reported killed in an air raid Wednesday was the suspected mastermind behind many of the kidnappings, beheadings and bombings that followed the 2003 U.S. invasion of Iraq.

The double threat of climate change and the global pandemic has made post-apocalyptic fiction an undeniably thriving and popular genre. Author David Yoon has one of the latest entrants.

Cuba is hoping more tourists return to the island. The economy depends on it.

From solar panels to electric buses — the Biden Administration wants to make it easier for schools to tap more than $5.5 billion for climate-friendly upgrades.

Sunday's contest has implications for the spread of far-right ideology, France's relationship with the rest of Europe and the country's posture toward Russia.

T. Kingfisher treats source material like a buffet; the result feels like a cozy but still perilous D&D adventure, full of found-family, second chances, and winks to the folklore that inspired it.

Daniel Roher's film about Russian dissident Alexei Navalny offers intimate, sometimes amazing access to the bravery — and human cost — of opposing a despot.