Melissa Gray
Melissa Gray is a senior producer for All Things Considered.
Gray got her start at Member station WUGA in Athens, GA. From there, she went on to report on arts and cultural stories for Peach State Public Radio in Atlanta. She joined NPR in 1999.
Years later, her determination to "learn how to really bake a damn good cake" led her to experiment on the All Things Considered staff. You can read all about it in her cookbook, All Cakes Considered. Melissa lives by this motto: "We have to make our own fun. Nobody else will make it for us."
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With North Carolina now a toss-up this presidential election, both parties are making appeals to Black men. An older farmer and a younger restaurant owner share what's driving their votes.
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There's trouble in the town of Bad Göodsburg! A wishing well has stopped working! NPR's Tamara Keith talks with Jess Hannigan about her new children's book, "Spider in the Well."
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Tom Selleck became a TV star in the 1980s as the Hawaii-based detective of "Magnum, P.I." He talks with NPR's Scott Simon about what it took to get there and his new memoir, "You Never Know."
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A first in a career spanning six decades: Cher has a Christmas album. She talked with NPR about her mother, her experience working with Stevie Wonder, and the time she hopped a freight train at age 9.
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The artist builds on the Afrofuturistic world from her 2018 album in a new short story collection titled The Memory Librarian. She tells NPR about her nightmare that inspired the project.
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Every year, roughly 20,000 young people turn 18 in foster care and venture out on their own. It can be a critical moment of transition, where success is far from a guarantee.
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With lyrics poking at the ways young women are scrutinized and exploited, Happier than Ever finds Eilish in some dark corners — but the pop supernova tells NPR she's got lots to feel hopeful about.
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The Super Bowl is a big day for guacamole, which could also mean more ER visits. A recent study links avocado consumption to hand injuries.
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Though best-known for his auteur work, the mastermind of Hamilton and In the Heights says it was his dream to be offered a part in someone else's musical.
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Stretch Armstrong and Bobbito Garcia of NPR's podcast What's Good explain why they think 1988 was a banner year for hip-hop.